Gandi d. Ularly king e. Metro 5. Which of the national cinemas and domestic movie cultures in the national cinema and domestic movie cultures are a rich discussion material, which is a rich discussion material, which is a rich discussion material. a. New Zealand b. India c. Britain d. America e. Russia

8. Which of the approcesses is not one of the properties of the new n. Functions of the psychological effects of the psychological effects of r in your eyes. Bad blood 10. Which of the fears is one of the effects of the Chinese Cinemas of the return process to the market economy? a. The cinema industry is directed to the monetary department b. The movies have been starved as a commercial product. The studios are industrial investment in industrial investment. The studios are beginning to be state-supported cultural institutions. The common-structure prativation with foreign partners is commonly published.

Blandford, Steve, Barry Keith Garden and Jim Hillier (2001), The Film Studies Dictionary, London: Arnold Publishing. Bordwell, David (2002) “Intensified Continuity: Visual Style in Contemporary American film”, Movie Quarterly, 55 (3): 16-28. Chaudhuri, Shohini (2005) Contemporary World Cinema: Europe, The Middle East, East Asia and South Asia, Edinburgh: Edinburgh University Press. “Digital Shifts Giant Screen Market”, Screen Digest, May> s 2010, no. 464. Forohar, Rana (2002) “Hurray for Globowood”, Newsweek, May 27. Gasher, Mike (2002) The Feature Movie Industry in British Columbia, UBC Press: Canada. “Global 3D Box Office Doubles”, Screen Digest, July 2011, No. 478. Hayward, Susan (1996) Key Concepts in film Studies, London: Routledge. Murphy, Robert (Ed.) (2000) British Cinema of The 90s, London: BFI. Neale, Steve and Murray Smith (Ed.) (1998) Contemporary Hollywood Cinema, London: Routledge. “Online Movies in International Markets”, Screen Digest, June 2011, No. 477. Smith, Chris (1998) Creative Britain, London: Faber and Faber. Stam, Robert and Ella Habiba Shotat (2000), “Movie Theory and SpectatorShip in The Age of the ‘Posts'”, Reinventing Movie Studies (2000) in Christine Gledhill and Linda Williams, (Editors), London: Arnold Publishing. Stevenson, Jack (2005) Lars von Trier, Turkish: Begum is not put, Istanbul: Agora book. Vincendeau, Ginette (1995) “Cinema du Look” in Encyclopedia of European Cinema, Ginette Vincendeau (Ed.), London: Cassell and BFI (British Movie Institute), 1995.

If you are wrong, re-review the Cineman in the world “section. SIDE SIDE SHOULD USE “HOLLYWOOD Cinemas>” section. SIDE SIDE SHOULD USE “HOLLYWOOD Cinemas>” section. Refer to “Britain and English Tuberali in other countries in other countries”.

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